Two months with no writing, and I have unlocked a new level of existence. I can see flavor now, taste color, and hear bad Internet connections.
I’d love to check in with you guys about what I’ve been doing, but the answer is largely “Nothing.” It’s been great.
I’ve been playing a lot of Valheim. Finished One Piece, and followed up with Dragon Ball. I saw Willy’s Wonderland, a Nicholas Cage comedy/horror movie that’s effectively “John Wick gets trapped inside Freddy Fazbear’s Pizza,” and it now might be my favorite movie of all time.
Last month, my goal was to crash and recover. This month, my goal was to do some new things that I normally don’t have the time to do...and I didn’t do a whole lot of that, tbh. The pandemic/quarantine gets in the way of most of my plans.
This last and final month, I’m setting aside some actual writing time, just not for Cradle. For whatever side projects I want to waste time on. I’m looking forward to it!
Until then, my radio silence continues. I miss you all! Especially you.
First off, I intended to blog at the beginning of my break, but I had to give up before I smashed my computer into little tiny pieces.
When I tried to blog on the first day, Weebly (the service through which I managed my site) mandated a password change before I could log in. I reset my password, and my password reset went through, but the email to change my password didn't. Leaving me lunging at my laptop with a hammer while my loved ones wrestled me down.
Fortunately, cooler heads prevailed, so I was able to start my break peacefully. At the time, I intended to stay connected through social media, so it didn't matter if I blogged at the beginning or not.
But I quickly realized that I need a break from social media too.
When I checked my Reddit or my Facebook or Twitter or whatever, I was mentally still working. I kept thinking about the next book, and what we could do later on in the series, and basically still thinking like an author.
I needed to cut that off, so I've been on a strict no-social-media diet for a month now.
I did not expect that to be necessary, and it's been difficult, but it's been good for me.
So that's where I've been all this time, cooped up in my Regeneration Pod with no phone waiting for my Reddit addiction to die down. Which begs the question: what have I been doing?
Well, in the first week off I didn't do much of anything. I don't remember much. Probably many YouTube videos were watched. I pretty much coma-d non-stop.
Second week, I spent most of my time catching up on my reading. I read between a million and a million and a half words that week, which was nice and refreshing as I haven't done that in a while.
I spent some time in a cabin in the woods, played a truly disgusting amount of Minecraft, bought the Dragon Ball manga (now I own the complete series; I only had the DBZ half before), and picked up my re-read of One Piece where I left off last year (right after the Paramount War arc).
Essentially, I've been having a nice, relaxing time! There's a lot I wanted to do that COVID prevents--visiting friends, traveling internationally, cruising, forming a Team-Rocket-style evil organization to take over the world--but within those restrictions, I've been having fun!
Physically and mentally, the break has been great so far, and while I regret having to step away from you guys for so long, I definitely needed it. It's only this week that I've stopped thinking about the business and book sales and the future of the series, because it took that long for my previous thought patterns to reset.
I'm installing a manual reset button in the back of my skull to expedite this process next time.
P.S. For all you One Piece readers out there, I'm regularly amazed at how great One Piece is and has stayed for so long. What great, resonant, emotional storytelling. Having said that, Punk Hazard sucks and I hate it.
It’s been thirty days since my last blog post, which is the longest I ever go between posts. I’ve written at least one post per month since June 2013, and I want to keep that record going as long as I can.
You may think it’s because I loved Iron Prince so much that I wanted to give everybody a chance to see it, but the reality is more selfish: I’ve been putting off writing this post.
What you’re reading now is the longest and most personal version of this story, but I’ve written shorter versions on Facebook and Reddit. If you only have ten seconds before you have to turn and fire your pistol, check there.
Here’s the deal: I’m taking the first three months of 2021 off work.
I’ve already gotten pretty far into Bloodline, but I’m not done yet. I was hoping to be finished by now, but I’m not. And I need a break.
So I’ll keep working on the book this month, but after that, I’ll be heading off to regions unknown.
“Regions Unknown” is what I call my gaming PC.
I’ve covered the highlights on my other social media pages, but I’m about to dig into my journey here. Content warning for those of you sensitive to personal details, recapping, and/or sincerity.
Ready? Off we go…
First, let’s back up to Summer, 2019. I threw out my back-ish, neck-ish, shoulder-ish area.
Anatomy is not a required subject for a Creative Writing degree.
Because of that, I was lying flat on my back for a week, and it ended up resulting in two weeks of lost writing time. During that experience, I learned that I had caused my injury by “being on a computer all day every day” and “never taking any breaks” and “having the posture of a twisted little goblin.”
So I added stretches and exercises into my routine, and I began taking regular breaks throughout the day.
About half a year later, in January of this year, I pulled my neck-ish thingy again.
This time, it resulted in essentially a month of not-writing-Elder-Empire.
I had to take it up a notch. I significantly increased my exercise, physical therapy, and visits to the mysterious healing fairy who lives in the spring behind my house.
That’s honestly working great, and I’ve been much better since then. I literally didn’t think it was possible for me to write books while taking a break every 1-2 hours, but you’d be amazed what you can accomplish when you train a pack of gibbons to run howling into the room and haul you from the keyboard every hour on the hour.
But no matter how much stretching and exercise you do, you can’t out-stretch a twelve-hour writing marathon every day for eight weeks at a time.
Physically, I need a break.
I’m really not in bad shape (I mean, in regards to this injury. In general, I’m in slightly worse shape than the Pillsbury Dough Boy), so this isn’t a plea for sympathy or anything. I just figure an ounce of prevention is worth a pound of cure, and I need to ease off the gas pedal before this BECOMES a real chronic problem in a few years.
And now my favorite subject: emotions.
I didn’t talk about this at the time because I didn’t want people deciding ahead of time these books were going to suck, and I haven’t talked about it since then because sincere expression of emotion burns me like elf-crafts burn Gollum, but the process of writing OKAK sucked.
I’m proud of the result, and I think I ended Elder Empire well. But the experience of writing the books was miserable, from the first week to the last.
It had been too long since I’d written the last pair, and I had zero remaining vision for the books, so I had to start from scratch (not literally, but it felt that way).
On top of that, I had set so many things up that I had to be very careful not to violate any established facts in a canon I hadn’t visited for five years. Which just…kills my passion. I hate having to nitpick every little detail and make sure everything’s in the right place. It feels like the opposite of creativity to me.
On top of the top of that top, I wrote these books really quickly so I wouldn’t have to delay Cradle too much. But they’re impossible to write “fast,” so it just meant strings of long days.
And on top of THAT, Elder Empire has always been really hard to write.
However, people tend to think that an enjoyable writing process = an enjoyable reading process. Not true. I feel like the books turned out really well, and the reviews seem to agree with that.
Speaking of great reviews, that brings me to Wintersteel.
As you know, Lindon is the money-maker ‘round these parts, and Elder Empire delayed me by quite a few months. Without even having the grace to pay the bills for that time.
So I was running late on Cradle, and I had to jam out a sequel ASAP. Using a new process that I hadn’t ever tried before.
Fortunately, that process worked, but at that point it had been almost a year since I wrote Uncrowned. Details had leaked out of my head, and in the beta reading process, we caught several plot mistakes and causality violations, even up to the day before turning the manuscript into Audible.
Meaning I not only pushed the book out as quickly as I was capable of doing it, but the editing also took more work than usual.
Then after that, I immediately moved on to Bloodline, because I was initially trying to finish it before I took a break. (Sorry.)
All that to say I’m tired. I’m really tired, guys.
When I first started writing, as I’ve told you before, I didn’t know how long I was going to be able to write for a living, so I kept the books a-coming to keep the lights on.
Then, during 2015-2016—the Elder Empire Era—I couldn’t stop because I wasn’t making enough money to live on.
It wasn’t until after Soulsmith, or maybe Blackflame, that I could potentially take a long break like this one. And I still had OKAK dangling over my head, plus I didn’t want to hang you out to dry with no Cradle book for too long.
Now OKAK is finished at last, and if you have to hang on something, at least Wintersteel is a pretty comfortable hook.
Finally, I’ve always wished people could take more time off just to take care of themselves.
I think it’s necessary. It’s a shame that so many people are in situations where they can’t ever afford time to rest…and even for those that can, it’s often treated as “wrong.” Like you’re letting everybody down by taking a serious break.
But I’m fortunate enough to finally be in a situation where I can take such a break, so I’m gonna put my money where my mouth is.
If I’m going to be releasing books steadily for the rest of my career, which I certainly intend to, then I need to either slow down or take a longer break (like this one) every few years.
And who wants to slow down?
Speaking of which, we’re still on track to release Bloodline and one other book in 2021. Same two books as usual, or I wouldn’t be taking a break at all.
And it’s not like I’ll be gone completely for three months. I’ll still be checking social media here and there, and I plan to continue my one-to-four-posts-a-month blog schedule.
Gotta keep that perfect attendance record.
For those of you who made it to the bottom of this news that, I know, will come as a disappointment to many of you: thanks as usual—and as always—for reading!
Now this is what I'm talking about.
I've seen Iron Prince, by Bryce O'Connor and Luke Chmilenko, called "Cradle meets Ender's Game."
Yep. That's what it is.
Imagine, if you will, Lindon going through the space combat training in Ender's Game using the level-up system from Solo Leveling. That's the pitch, okay? That's an accurate general vibe.
But that's just what gets you in the door.
This is a sci-fi setting, and what a setting. The authors had to have put in a truly staggering amount of work into making this world feel lived-in and complete.
This whole story is about a guy named Rei learning to cyborg fight using a super-advanced semi-magical weapon that bonds with him and gives him superhuman upgrades that he has to gradually unlock.
How does he unlock them, you ask? By working himself to death...and fighting.
There's combat, tons of combat, so much combat that you might be like "But Will, isn't that too much combat?" After I put up one finger to silence your beautiful mouth, I would whisper "No. And how dare you."
Because it really isn't. Each fight is tactical and crunchy, not to mention visually spectacular, but almost all the battles also teach you something about the combat system and the world, have high emotional stakes for the main character, and advance the plot in some way.
You know how some stories, including some stories written by me, have fights that are just there to BE fights and don't really seem necessary to the plot or the emotions of the characters?
That is almost entirely absent here. The authors go to great lengths to make sure that the stakes of each battle are clearly laid out.
Now, I did say almost entirely absent. I'll get to that. But you can afford one or two fights that aren't strictly necessary when you have so...much...page space.
Oh, did I not mention it's eleven hundred pages long?
This is a thicc one, ladies and gentlemen.
For being the size of the first three books of Cradle, it also has progression appropriate for that length. Rei starts buried beneath the bottom of the barrel and desperately claws his way to the top.
Only, of course, for you to realize that the "top" is really just the beginning.
Whenever I recommend a book, I try to be fair enough to share its weaknesses as well. I want you to hear my passion for the story, but I don't want you to think I'm saying it's perfect. No story is, so I'll get into the drawbacks in just a second.
Right after I reiterate that these were but tiny ticks on the back of a majestic tiger. Okay? None of these problems remotely held me back from giving this book my coveted golden W sticker of approval.
1.) While most of the fights are necessary, some aren't.
There are a few fights we watch that are just fights for the sake of fights. As a rule of thumb, when nobody whose name you already know is competing, it's safe to skim the fight.
2.) The technical fight descriptions can sometimes be too detailed.
Is this just a sub-heading of the first one? Maybe it should be 1a.
Anyway, even the great fights are described blow-by-blow. Which is for the most part to the book's overwhelming benefit, but some contests go on a lot longer than they perhaps should because we see every single blow.
3.) A handful of minor dialogue issues.
Now, I think the dialogue as a whole in this book is actually pretty strong. Characters come across as relatable but professional, motivated and educated, and convey their emotions clearly and believably.
But there are some times when a line falls flat here and there, some characters who sound a little too much like one another, frequent uses of lines like "dummy" and "jerk" to tease friends, etc.
Just enough that, collectively, I thought I'd mention them as a nitpick. Nothing that puts a fly in my soup or an angry wolverine in my hat.
4.) One particular romantic sub-plot between major characters.
I don't want to get to any spoiler territory here, but this was the only part of the book that I would actually call a problem, rather than something that could perhaps be tweaked.
Essentially, one of the main character's friends starts pursuing a relationship with the antagonist even after the guy has repeatedly assaulted the main character.
This would be like if Malfoy pulled a gun on Harry in front of the whole class, and the next day Hermione asked Malfoy out. Really soured me on that character for the rest of the book.
Those are the worst complaints I could come up with.
Were any of them deal-breakers? No. Not by a long margin. If I'm nitpicking about a romantic sub-plot that didn't even involve the main character, then my biggest complaint is but a gnat landing on the radiant mustache of God.
Incidentally, I enjoyed the main character's romance sub-plot. Mainly because his love interest is a cool person, I believe their chemistry together, and she does awesome things in this book with the promise of more to come in the future.
Here's my Pros list.
1.) Book good. Read book.
This is the sort of deep analytical insight you only learn after extensive education and a long writing career.
For real, everybody, this is a good one.
People keep asking me for series that are "like Cradle" and I'm like "Eeeehhhh...a lot of the stuff I enjoy isn't really like Cradle, and the books that are like Cradle I often don't enjoy very much."
Here it is. This is my new answer: Iron Prince is like Cradle, and it's really good, and you should read it if the premise sounds at all appealing to you.
Personal Bias Disclaimer: I shared this book when it came out a month ago on Facebook, because I thought the cover looked cool and I trusted Bryce and Luke enough to know that the book would at least be good. At that point, I hadn't read it.
Now I've read it. It's way better than I thought it was going to be.
I've met Bryce and Luke in real life a couple of times, and they're both stellar human beings with eyes of diamond and hearts of granite, so I do know them a bit and I do consider them my friends.
But uh...being my friend is not a guarantee that I'll like or review your book. It may be the opposite, honestly. I give pretty brutal feedback to my loved ones.
Asking me for my opinion is like dangling your bloody hand over a shark. I have way closer friends whose books I didn't recommend here because I didn't like their story enough.
If I don't love the book, I don't recommend it.
I love this book, so I recommend it.
That's Will Wight's patented one-step review test. "Did you love the book? If yes, recommend."
A lot of people wonder what I'm doing in times like these, after I've just released a book and I'm in the process of starting another.
If you're one of those people, I thought you might enjoy me walking you through an average day in my life.
I set my alarm for a random time in the middle of the night, often roughly around three o'clock. As soon as it goes off, I sit up abruptly and yell "AHA!" to startle anyone who might be watching me sleep.
I haven't caught anyone yet, but one day it will pay off. One day.
This is about when I wake up. I'd like to sleep in longer, but by this point the owls are all pecking on the windows to be let in.
I don't have a shower, but my house is below sea level, so I just sort of open a hatch in my bathroom ceiling and let ocean water gush in.
After that, I normally have the traditional Floridian breakfast: fried gator tail and an entire orange, skin on.
Now I stack a bunch of empty boxes on a portable plastic table from Wal-Mart, carefully balance my laptop on top, and get to writing.
I start the writing day full of energy, optimism, and ideas.
Realize the book is terrible. Every word is worse than the one before.
Remember that I only have two days left before some self-imposed deadline. Roll a leftover orange from breakfast across the keyboard until the letters randomly form words.
The orange has spelled out "LOOK BEHIND YOU," so I spin just in time to catch the machete descending on my head.
It's the salty mariner who tethers his house-boat next to my home. He has once again decided to test my reflexes to ensure they are sharp enough to survive what he calls "The Coming Flesh-Storm."
Lunch! I check the traps.
If I've caught a shark, then shark meat's on the menu. If it's a mermaid, then I get a wish, so I wish for veal ravioli. If the traps are empty, I usually go to Chick-fil-A.
Except on Sunday. If the traps are empty on Sundays, then I have to settle for grilled seagull.
I've been in a trance for two hours, and I snap back to discover that another page has been added to my book manuscript. Nega-Will must have taken over my body again.
He likes to slip in excerpts from the Necronomicon to get people to accidentally summon eldritch demons.
I remove any references to Al'meg'nidyyn and all incomprehensible symbols, then I read the rest of what he wrote.
It's pretty good. His Dross lines are great.
At this point, I like to take a break and exercise.
I wrestle for a while with the manticore staying in my spare room. She takes it easy on me and usually doesn't inject me with much venom.
This is about when I wrap up writing for the day. I print out all the new pages and slip them into the Creativity Incubator, which will take the nonsense I wrote and magically make it good.
For dinner, I either heat up some leftovers or strike one of the Gnashing Fruit from the Seven-Headed Tree with my javelin. Either way, I relax afterwards in my full-immersion VR tank that I bought on clearance from Area 51.
While I wait in the decontamination chamber to get into my sleeping chamber, I hypnotize myself to encourage drowsiness.
When that doesn't work, I have to give up on the decontamination process and get my mariner neighbor to hit me on the back of the head with an oar. That usually does the trick, and I get to collapse face-first in my bed already asleep.
So anyway, that's pretty much what I do all day.
Technically we're into Week 3 now, but since this is going to cover my reaction to the last two weeks, I'd say the title's accurate.
I can't tell you anything about the book you don't already know: Wintersteel was a huge success, it's the fastest-selling, highest-reviewed, and most-reviewed of all my books, in addition to being the longest, and it contains the secret of why kids love the taste of Cinnamon Toast Crunch.
I will therefore update you on my feelings. Here we go...
"Boy, that book launch was a lot of fun!"
This has been Feelings Update with Will Wight. Tune in next week to hear Will express hunger.
For real, though, I really enjoyed the days surrounding this book launch. The pre-launch stream was fun, if tiring--it's hard to switch hats that many times--and I've loved seeing you guys discuss and theorize and react to the book.
There was a lot more of that this time. Partially because there are more of you now than there ever have been before, and partially because there was a lot to discuss in this book.
It's still a bizarre feeling to see a bunch of fans tearing the book apart to peer into every little nook and cranny. It's one thing knowing that tens of thousands of people are going to read the story, and it's another thing to pop into Discord and see you dissecting every piece.
It's good weird! But it is...jarring. Like, I made all this stuff up.
So anyway, I had that awesome experience, and then I crashed into a quivering mess for a while as I am wont to do, and now I'm mostly reincorporated and back at the keyboard!
I really can't thank you guys enough. What a great adventure you've given me!
Boy, do I feel silly.
The day before Wintersteel came out, I put up a post talking about my fears and insecurities, and then a day later my book became the best-selling book on the entire Kindle Store. And has thus far stayed there for 24 hours.
There's just some kind of irony there.
I just have to say, the last day has been a blast. I was serious when I said I get really nervous before every launch, but this has been the most fun book launch ever. I'm reading all your reviews and all the discussion, and I'm both relieved and excited that you've loved the book so much.
And, frankly, I didn't realize how excited I would be to hit #1 on the Kindle Store. I never had that as a goal or anything; higher ranking makes your book more visible, which means more people see it, which is a great benefit. But we consistently hit Top 10 with Cradle, and I'm always very happy with that!
#1 is not something I thought was even possible, and for real guys, I was so excited. I cheered and shouted and jumped up and down and everything. My family dumped a bucket of Oreos over my head.
But the most fun part has been seeing how many people are enjoying the book!
This last couple of days has just been fantastic, so from the bottom of my heart: thanks, everybody! Thanks for reading the book, thanks for discussing the book with each other online, thanks for being so excited about it, and thanks for sticking with me!
I love you guys, and above all, thanks for reading!
P.S. The first seven Cradle books should still be free until the end of the day (October 7th), so if you know someone who wants free books, strike while the iron is hot! And the iron is hot right now!
EDIT: Please don't spoil Wintersteel in the comments, guys! I'll have to delete comments that give away clear spoilers.
All Cradle ebooks are free for the next three days! (Getting them for free SHOULD still give you a discount on the audiobook, by the way.)
10% off all Cradle merchandise sale with the discount code "DROSS" is still going on!
Release stream tonight at 9 PM Eastern during which I play video games and answer your questions! (Please no spoilers from those of you who've already read it, or I'll have to make you walk the plank.)
...and, of course, Wintersteel comes out tonight at midnight! If it isn't already out now in your time zone, of course.
Curse you, time zones, making my scheduling so difficult!
Now, on to your regularly scheduled blog post...
Before we begin, I'd like to address anyone who was looking for a physical copy of Wintersteel. The paperback is finally available to order, and if you order it today, it should arrive in most places on Tuesday.
We can't arrange paperback pre-orders or set it up so that we can guarantee delivery on Day 1, but we got Amazon's advice on the best way to get the books to people on October 6th.
They recommended putting it up three days in advance, and that's today!
Additionally, I'd like to invite you all to join me on my Twitch channel (twitch.tv/willwight) this Monday, October 5th, from 9 PM - 12 AM Eastern for my Wintersteel release...celebration? Event?
Anyway, I'm going to be streaming from nine until Wintersteel goes live.
Unlike previous releases, I won't be reading a scene this time. I couldn't do these early scenes justice. Maybe next time.
Instead, I'll be playing random games (most likely Subnautica, but maybe I'll mix it up with some Subnautica) while answering book questions and wearing a hat!
The hat was Twitter's fault.
Now that the housekeeping is out of the way, proceed for the behind-the-scenes content for Underlord!
As a reminder, I won't be covering Uncrowned behind-the-scenes stuff. At least not right now.
I'm not sure how much I can say without spoiling Wintersteel.
(If you don't see the rest of the post, click Read More!)
First off, the easy stuff.
I started off knowing that I wanted to give Lindon a training arc to get him up to speed with everyone else, and a pocket world arc is a staple of cultivation novels everywhere.
I wanted a pocket world that was distinct from anything I'd already done in Traveler's Gate, and I'm a big fan of the underwater aesthetic, so it didn't take me long to decide on an ocean's floor world as the setting.
However, originally the Ghostwater complex was a lot bigger.
Instead of a series of inhabitable domes at the bottom of the sea, Ghostwater was originally a tower with eight floors. Lindon was going to descend each one, the challenge and rewards increasing as he progressed through.
Every floor had a certain stage of advancement it was designed for, and a color of magical water with certain properties, as well as a theme that determined the nature of its wildlife.
After establishing all this, of course, I realized this was way too much. You could set an entire trilogy in a place with this much detail, so I compressed it down to three types of water and three locations.
Honestly, that was better anyway. Having one type of water that improves your spirit in every way is a lot more digestible of a concept than having five different ones that variously improve madra regeneration, madra capacity, madra purity, madra channels, etc.
With only three locations instead of eight, Lindon can spend longer in each place, and they can each have a more unique identity. Like the dream library where he ends up meeting Ziel.
It's still interesting to think about what could have been, though, so click Read More for the original structure of Ghostwater...and the original design of Ziel.
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